1829-1908 Thomas Hill was born in England on September 11, 1829. At the age of 15, he emigrated to the United States with his family. They settled in Taunton, Massachusetts. In 1851, he married Charlotte Elizabeth Hawkins. They had nine children. At the age of 24, Hill attended evening classes at the Pennsylvania Academy of the Fine Arts (PAFA) and studied under American painter Peter Frederick Rothermel (1812-1895). During his years as a student, Hill traveled to the White Mountains in New Hampshire as early as 1854 and sketched alongside members of the Hudson River School, such as Benjamin Champney. In 1856, Hill and his family moved to San Francisco, California. With painter Virgil Williams and photographer Carleton Watkins, Hill made his first trip to the Yosemite Valley in 1865. The next year, Hill traveled to the East Coast and Europe. He established his family on the East Coast but continued to take sketching trips to the West Coast and to attend meetings of the San Francisco Art Association. He moved his family back to San Francisco in 1873. Hill made yearly sketching trips to Yosemite, Mount Shasta, and, back east, to the White Mountains. Hill ran an art gallery and art supply store. He briefly acted as the interim director for the SFAA School of Design and went to Alaska on a commission for environmentalist John Muir. He lived on his stock market investments as well as his art proceeds. His marriage ended in the 1880s. Toward the end of his life, he maintained a studio at Yosemite??s Wawona Hotel. After suffering a stroke, Hill left Yosemite and traveled up and down the California coast, including stops in Coronado, San Diego and Santa Barbara. He died in Raymond, California, on June 30, 1908, and is buried at Mountain View Cemetery in Oakland, California.   Related Paintings of Thomas Hill :. | Castle Craigs, California | Grand Canyon of the Sierras, Yosemite | The Muir Glacier in Alaska | The Gardenr-s Labyrinth | WLA lacma Thomas Hill Emerald Bay Lake Tahoe |
Related Artists:
NUVOLONE, Panfilo
Italian painter, Lombard school (1581-1651) After studying with Giovanni Battista Trotti, he moved to Milan, where he is recorded in 1610. The influence of Trotti and of late Cremonese Mannerism is evident in his first known work, SS Nicholas and Costanza Adoring a Miraculous Image of the Virgin (1607; Can?nica d'Adda, S Giovanni Evangelista). In his paintings of scenes from the Life of Samson (1610-14; Milan, S Angelo, Cappella Sansoni) Nuvolone moved away from Trotti, exaggerating the size of the figures and defining form with an academic clarity reminiscent of the contemporary art of Camillo Procaccini. There followed, shortly after the work in S Angelo, frescoes of the Coronation of the Virgin and other scenes in the presbytery of S Maria della Passione in Milan, and, in 1614, a lunette of the Angel Announcing to Mary her Approaching Death for S Domenico, Cremona (Cremona, Mus. Civ. Ala Ponzone). In 1620 he painted the Coronation of the Virgin for the Swiss parish church in Milan (in situ). Still tied stylistically to the earlier work in S Maria della Passione, this demonstrates the difficulty Nuvolone experienced in breaking with the late Mannerism of Giovanni Paolo Lomazzo, Giuseppe Meda (d 1599) and Ambrogio Figino and in adapting to new trends in 17th-century Milanese painting. His Virgin and Child with Two Saints (1624; Milan, S Eustorgio), featuring stiff figures and inflated Mannerist drapery with its metallic folds, indicates continued contact with Procaccini. In the same year he was employed in the decoration of the Collegiata di Appiano Gentile, where he painted two scenes from the Life of St Stephen and a Virgin and Child with SS Anthony and Victor. He continued to produce a vast number of repetitive religious works, yet these are less interesting than his still-life paintings, generally of fruit stands with peaches and grapes presented symmetrically against dark backgrounds.
Curt Herrmann
German, 1854-1929
Sir edwin henry landseer,R.A.
1802-1873 Painter, draughtsman, sculptor and etcher, brother of (3) Charles Landseer. He became the best-known member of the family and was one of the most highly respected and popular British painters of the 19th century. He was first trained by his father, who taught him etching, and he then studied with Benjamin Robert Haydon and at the Royal Academy Schools in London. Precociously gifted, he drew competently from childhood and in 1813 he won the Silver Palette for draughtsmanship at the Society of Arts. In 1815 he exhibited at the Royal Academy for the first time, showing some drawings of a mule and of the heads of dogs. From an early age he was a frequent visitor to the menagerie in Exeter Change in the Strand, London,